Click here to view more papers This fictitious man is Lear, King of England, who's decisions greatly alter his life and the lives of those around him. As Lear bears the status of King he is, as one expects, a man of great power but sinfully he surrenders all of this power to his daughters as a reward for their demonstration of love towards him.
Here it is in its entirety: The most widely regarded view is that Shakespeare used the model of tragedy set up by Aristotle. There are some problems with this, however. Aristolean Tragedy The model of an Aristotelian tragedy begins with the protagonist tragic hero.
The protagonist must begin as someone of importance or fortune.
The usual example is someone of royalty. He cannot be perfect, though. The audience must be able to relate to the hero, so Aristotle said the hero must have tragic flaws that balance his otherwise good character. Aristotle usually made this flaw hubris an all-consuming pride that causes the individual to ignore a moral tenant or a divine warning.
These flaws culminate in the humiliation, defeat, and death of the protagonist.
This should invite the audience to feel a great pity for the character because he can be related to, and the audience can put themselves in his position.
The play must end in a catharsis. The catharsis is the event of the audience losing their feelings of anxiety and feer and finally reaching a sense of completion.
The Aristotelian model also follows the classical unities of time and place. The five plays I talk about on this site need to be divided into two groups. These are the four great tragedies and best follow the Aristotelian model.
They all have a protagonist that has a tragic flaw that eventually leads to his downfall. Aristotle had a tendency to exaggerate the flaw, while Shakespeare makes it more real. This is just about the only thing it has in common with the Aristotelian tragedy though.
Shakespeare loved to make a complicated plot with many sub-plots in order to make the play that much more real and meaningful to the audience.
Therefore, he did not limit his tragedies to the classical unities. The catharsis is another difference. Instead, the plays end with the audience remaining in awe at the absolute destruction of the protagonist. There is just the feeling of amazement at the utter despair of the play.
It does not even attempt to follow the Aristotelain tragedy. Their love could be interpreted as tragic flaws, but such a thought is a long stretch. Their love is attacked by external forces, however. The tragedy in this play is not tragic flaws within the protagonists but the fact that circumstances are tearing their great love to sunders.King Richard the Second is a history play by William Shakespeare believed to have been written in approximately It is based on the life of King Richard II of England (ruled –) and is the first part of a tetralogy, referred to by some scholars as the Henriad, followed by three plays concerning Richard's successors: Henry IV, Part 1; Henry IV, Part 2; and Henry V.
He might be the title character, but Julius Caesar only appears in three scenes in his own play and delivers just lines. By comparison, his conspirators Brutus ( lines), Cassius (), and.
The Shakesperean norm of love, 1 thus understood, may be described somewhat as follows. Love is a passion, kindling heart, brain, and senses alike in natural and happy proportions; ardent but not sensual, tender but not sentimental, pure but not ascetic, moral but not puritanic, joyous but not frivolous, mirthful and witty but not cynical.
This article is an index of characters appearing in the plays of William Shakespeare whose names begin with the letters A to K. Characters with names beginning with the letters L to Z may be found here..
NOTE: Characters who exist outside Shakespeare are marked "(hist)" where they are historical, and "(myth)" where they are monstermanfilm.com that annotation is a link (e.g. ()), it is a link to. Lear was first performed at court for King James I on December 26, King Lear is a wrenching, profound, and very poetic tragedy, set in the pre-Norman, quasi-mythical period of British history.
Although the characters, motivated by honesty and true love, are easy to distinguish. Jul 02, · Who Was Shakespeare's Falstaff?
On 23 July , Henry Carey, Lord Hunsdon, died. there are some characters who resemble Essex and Southampton: Romeo and Mercutio, Demetrius and Lysander, Bassanio and Lorenzo, Benedick and Don Pedro, Hamlet and Horatio, etc. Simon Russell Beale as King Lear; Did .