In Villette she reverses the sex-change and writes from a point of view very close to her own. There is in them some untamed ferocity perpetually at war with the accepted order of things.
On the other hand, bildungsromans2 about women were not widespread and it was a real success in the early nineteenth century. But how can we explain it? The first aspect to point out is the context. In the eighteenth century two crucial events established some fundamental rights: In the nineteenth century, a husband had absolute power over his wife; he was responsible for all her acts as if she were a minor.
For instance, she could not own property, her husband had the benefit of her inheritance and he could even take it away from her. Moreover, a girl should be gentle; the question arises as to the nature of her contact with men. Theoretically she should have been taught all the subjects men studied and which they might like to talk about.
More serious subjects, such as classics, were considered unsuitable for women. Nevertheless, the first thing that needs to be said is that Jane is an atypical female character.
She is a virtuous girl but she does not reflect at all the perfect image of the well-balanced woman since she is proud, makes her own way and proclaims she is equal to everybody else.
Even thought Jane is not a beautiful character, her strong nature and gritty determination make her fascinating and from one page to the next we find that she epitomizes a Victorian woman who dares.
It is noticeable that she speaks with authenticity and says clearly what is in her mind. Even when she is young, she expresses herself intensely and uses serious emblematic references: I say scarcely voluntary, for it seemed as if my tongue pronounced words without my will consenting to their utterance: One should note here that calling the interest of some passages of the holy Bible into question was quite starling in the nineteenth century.
Contrary to other children of her age, she has her own personality and is not controlled by adults. Are you fond of it? I hope you like them? I have a little boy, younger than you, who knows six Psalms by heart: The verse of a Psalm!
Doubtless little Jane is clever and truthful.
University Press,p. The Accents of Persuasion New York: Norton,p. The tradition in English New York: Presses Universitaires de France,p. Gleerup,p. Penguin Classics,Chap.The narrator in the novel is an older Jane remembering her childhood.
Find a few places where the voice of the older Jane intrudes on the narrative. What is the effect of this older voice's intrusions on the story?
Does it increase or decrease your sympathy for the young Jane? 6. Jane gives descriptions of several of her paintings and drawings.
FREE Study Guide-Jane Eyre by Charlotte Bronte-Free Booknotes Chapter Summary Plot Synopsis Essay Notes Downloadable Notes. III. Surface Similarities in Plot & Characterization.
When studied alongside one another, the popular Gothic romance novels Jane Eyre and Rebecca bear striking similarities. While Du Maurier admitted to admiring Brontë’s work, she never made any public mention of an intention to transform the classic novel in a modern context (Bertrandias).
- Jane Eyre Jane Eyre, a classic Victorian novel by Charlotte Brontë, is regarded as one of the finest novels in English literature. The main character, Jane Eyre, demonstrates a strong need to be herself, a young girl trying to retain all the individuality possible for a dependent of her time.
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In this essay my primary analysis will focus on the main character,Jane, in Jane Eyre by Charlotte Brontë.
I will apply Gilbert and Guber’s idea about women in the Victorian Age and use it in the analysis of Jane and her development.